Photographing Zed Cards

Photo.net has to be one of my favourite websites about photography.  Model photography has to compete with all the other myriad forms of the art, so I was excited to see that one of the sites contributors is publishing a series of articles around putting together a model's composite or Zed card.  The first post is below:

Gary Bernstein: A Model's Shoot - Part


Meanwhile, I have been contemplating why the characters on the CSI
TV-show never seem to be doing the right thing for forensic
photography.  I am not a forensics expert but even I can tell if you are not packing a macro lens, that close up of the thumb-print is probably not gonna be in focus.  I would like to volunteer my services as "on-site photographic advisor" to the show, though perhaps I should have a cooler sounding job-title, like "key grip" or "best boy."  Whatever, as long as I get a chance to work with Jorja, Marg, Emily or Melina - I'd be happy. Might also be sensible to read...

Crime Scene and Evidence Photography

I wonder if gangsters are watching "Sopranos" and thinking "that's not how you kneecap someone !"